Go to program
program
Jan
25

Open Haus
The Gyuto Monks Tibetan Tantric Choir

Series

(Transmissions)
Soundwalk Collective

Summary

Where

Reethaus

When

Sunday, January 25, 2026
14:00-20:00

What

Listening Experience

This event is included in the Friends of Reethaus annual pass. Individual tickets will be released soon. 

“They will rattle your bones,” said Mickey Hart, the drummer of the Grateful Dead, of the Gyuto Monks Tibetan Tantric Choir. Soundwalk Collective is pleased to once again offer their indelible chants in this annual event at Reehaus, part of our calendar of contemporary rituals. “Close your eyes, leave behind your prejudices,” Hart said. “After an hour of their sound, you’ll be different, cleaner, lighter.”

The overtone chanting of these Tibetan monks, part of the Gyuto Order originating in Tibet in the fifteenth century, was never heard outside the context of their temples until after the Chinese annexation of Tibet in 1959, when the order fled to India. At that point, their prayers became political, expressive of the Tibetan resistance, and a spiritual rallying cry for repressed peoples.

In 1985, the Gyuto Monks Tantric Choir came to the attention of the Grateful Dead’s Mickey Hart, who brought them to his California studio to record the analeptic multiphonics of their sacred mantras. The monks gave Hart permission to overdub their voices, achieving the huge sound of the 100-voice choir as one might hear at their mountain monastery — with each monk’s voice singing a complete, extraordinary chord.

On January 25, over the 360-degree spatial sound system of the Reethaus, we will hear the tantric choir produce a rhythmic bass drone at the lowest range of the human voice, interspersed with sounds from bells, drums, cymbals and horns. Melody is not the point here — nor even musicality — but rather the body’s physical response to the marching repetitions, and the spiritual strength that follows from feeling one’s thoughts dissolve into their vocal movements.

“The chanting heard on this recording is prayer, not performance,” the original record sleeve reads. “Whenever this recording is played its prayers are effectively said anew — though their power depends less upon mechanistic reproduction than on the degree of attention and compassion with which you, the listener, join in the experience.”

Series

(Transmissions)

Soundwalk Collective invites key influences and frequent collaborators featured across their extended body of work to participate in a series that samples from the past 60 years of sonic arts. Reflecting a personal view on collaboration as an essential aspect of the creative process, the series presents a broad summary of the sonic landscapes that they have developed over the past two decades. Seminal masterworks and newer pieces blend into a cohesive yet varied ensemble that spans musique concrète, performance art, contemporary and mystical music. All of these genres have in common a meditative dimension, a transitional nature that has been at the core of Soundwalk Collective’s work.

Other events of the series:

Featured

Gyuto Monks Tibetan Tantric Choir

Founded in Tibet in 1475, the Gyuto Order is one of the great monastic institutions of the Gelug or “Yellow Hat” school of Tibetan Buddhism. Their tradition of overtone singing, or chordal chanting, was never heard outside the context of their temples until after the Chinese annexation of Tibet in 1959, when the order fled to India with its foremost spiritual leader, the Dalai Lama. This chanting gained renown in the West following the release of recordings made by David Lewiston in 1974 and Mickey Hart in 1986. In 1995, a group of Gyuto monks traveled to the United States and performed during a series of concerts with the Grateful Dead. Under the name Gyuto Monks Tantric Choir they appeared on the Mickey Hart/Planet Drum album “Supralingua,” as well as the Van Halen album “Balance.” Today, the Gyuto Order is based in Sidhbari, near Dharamsala, India, and consists of about 500 monks.

Featured

Mickey Hart

Mickey Hart is an American percussionist who is best known as the drummer of the Grateful Dead, playing with the band on and off from the 1960s until their retirement in 1995. Since the 1990s, he has taken a great interest in musical traditions from across the globe, promoting the genre of world music and winning the first ever Grammy award in that category in 1991 for “Planet Drum,” an album featuring percussionists from Puerto Rico, India, Nigeria and Brazil.