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program
Nov
30

Open Haus
Last and First Men
Jóhann Jóhannsson & Yair Elazar Glotman, narration by Tilda Swinton

Series

(Transmissions)
Soundwalk Collective

Summary

Where

Reethaus

When

Sunday, November 30, 2025
14:00-20:00

What

Listening Experience

Tickets

€7.50

This event is sold out. However, we always reserve spots for our Friends of Reethaus annual pass holders, giving them year-round access to our monthly Open Haus events.

Before his premature death in 2018, the acclaimed Icelandic composer Jóhann Jóhannsson embarked on a seven-year project to adapt Olaf Stapledon’s classic sci-fi novel into a film. The making of the Last and First Men, Jóhansson’s only directorial work, was a feat he described as “one of the happiest experiences in my life, and one of the most gruelling.”

This November for our Open Haus, Soundwalk Collective presents a singular aural experience: the complete soundscape of Last and First Men, with an oracular narration by Tilda Swinton, spatialized for Reethaus. Here, with the images subtracted, listeners are plunged ears-first into an aeon-spanning drama that inquires into tragedy and humanism from a cosmic vantage point.

The narrative of the eponymous 1930 novel by Olaf Stapledon consists of a dispatch from two billion years hence, when our unrecognizable descendants, in the antechamber of final extinction, share a telepathic group mind and an overabundance of history. For Jóhannson, the project was a meditation on memory, architecture and failed utopia. The film’s score, composed with and finished by Yair Elazar Glotman, is elegiac, droning and somber — befitting a requiem for the Last Men and for the ideals of an unattainable utopia.

An epic amalgam of philosophical fiction, cultural anthropology and speculative ethnography, Last and First Men is a history of the future, charting the rises and falls of humanity. Reethaus welcomes you this November to listen patiently.

Series

(Transmissions)

Soundwalk Collective invites key influences and frequent collaborators featured across their extended body of work to participate in a series that samples from the past 60 years of sonic arts. Reflecting a personal view on collaboration as an essential aspect of the creative process, the series presents a broad summary of the sonic landscapes that they have developed over the past two decades. Seminal masterworks and newer pieces blend into a cohesive yet varied ensemble that spans musique concrète, performance art, contemporary and mystical music. All of these genres have in common a meditative dimension, a transitional nature that has been at the core of Soundwalk Collective’s work.

Other events of the series:

Featured

Jóhann Jóhannsson

Jóhann Jóhannsson was an Icelandic composer whose work merged traditional orchestration with contemporary electronics. He released solo albums from 2002, signing with Deutsche Grammophon in 2016 for his final album, Orphée. His work on film scores, including Prisoners, Sicario, and Arrival for Denis Villeneuve, and The Theory of Everything for James Marsh, achieved wide acclaim. He received Academy Award nominations for The Theory of Everything and Sicario, winning a Golden Globe for the former. His scores for Mary Magdalene and Mandy appeared posthumously. His sole directorial work, Last and First Men, premiered at Manchester International Festival in 2017, where he conducted the BBC Philharmonic in a live performance of the score.

Featured

Yair Elazar Glotman

Yair Elazar Glotman is a trained orchestral contrabass player and electroacoustic composer. He has contributed to two Oscar-winning soundtracks: Joker and All Quiet on the Western Front. His work blends classical and electroacoustic traditions through improvisation, extended contrabass techniques and a combination of analog and digital processing. He began composing for film with Jóhann Jóhannsson, co-composing the music for Last and First Men. Recent scores include False Positive, with Lucy Railton, and Reptile. He has collaborated with artists including Hildur Guðnadóttir, Hauschka and Ben Frost. His independent releases appear on Deutsche Grammophon, Bedroom Community, Miasma and Subtext, and have been performed at KW Institute for Contemporary Art, MaerzMusik and CTM Festival.